Rudolph Valentino s’est suicidé pour moi

1979•5m•

Rapid rhythms due to a geometrical treatment of the images, of which most of the chisellings are oblique lines. Insertion were made with film scraps inside the chisellings. A seventeenth century music adds a touch of original anachronism to the film and dialogue with the reading of a superficial text about Rudolph Valentino.